The artist Jae Youl Jeoung concerns about the invisible and intangible phenomena and variations according to environmental human conditions. Explore materiality of object and subject relation to weightiness. The sense of weight here refers at least minimum movements from surroundings such as gravity, tension, and other atmospheric conditions.

As individual memories of object and subject are all different, between the ideality and the reality we think are continuation of encounter to sealed or unsealed fragments of our own memories. The memories also apply a little bit of regeneration pressure through silent regeneration. They are similar to those shown on the ground and to those exposed on the surface or being in the air.

According to his understanding of sculpture is a standing form object. And his paintings are recognized as reminders of a corner of the memories. He maximizes the properties of materials and objects that are subtle elements and sensitive to peripheral motion, making them feel their incapable of measurement as lingering imageries in physically and mentally. Also, he address the possibility of invisible and intangible matters to be another form of the language.

 

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